Rick Owens moved from theatrical to intimate, and tribal. He chose to make walk her ‘relatives’, women he had spent his time and his work with – models since the beginnings, friends, coworkers – people that really know him, his mind and his clothes, and that would have dress them in the best and sweet way. He made his ‘family’ to be on the stage, with the aim to show to the fashion industry what reality and life really are, and stressing that message making those women walk with the same outfit twice around the Palais de Chaillot’s magnificent hall. The collection itself was all about an abstract and simple story of love: jackets and capes literally protecting and embracing the body, oversized jumpsuits, iper long gloves and sneakers transformed in over-the-knee leather boots, as it was also shown in the last men’s collection. Stuffs these woman fancy to dress with, just feeling comfy and satisfied.
A touch of mystical presence was there also, details making these women enchantresses wearing weird headgears and powerful cuffs, or warriors with motocross leather pants and crocodile fabrics.
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